Monday, July 13, 2020
Live Arati from Amarnathji- July 2020
Saturday, July 30, 2011
Ramanand Sagar's Ramayan (8)- Introduction of the Royal House of Mithila













Now we have the first scene in the Royal house of Mithila. We can see Raja Janak along with Rani Sunayna and Kulguru Shataanand performing a Shiv puja. Really a nice way to introduce a ‘Pious’ family. The same was done in the beginning while introducing the royal family of Ayodhya, with a prayer to Kuldevta Suryadev. Truly, Ramayana helps us to ‘connect wth the Divine Lord’ in each of its scenes. It portrays the ‘ideal way to lead our life’.
http://www.youtube.com/watch?v=kP03uNzeeMQ
Coming back to Mithila- while performing the puja, we can see Sita Mata for the first time. Really really a beautiful entry. They talk about the oath of Raja Janak about ‘Shiv-Dhanu bhang’. We find that the task is really a difficult one. Rani Sunayana asks Sita to pray for a virtuous and noble husband, she gets worried about the futue of her daughter. But Shataanand suggests Janak to have Faith in the oath, implying that, the Power which inspired him to take the oath with see to its success. The background music of this scene is soooo Divine!! I always cry while listening to it, the same music has been used in many of the scenes after this and each time I get filled with emotions while listening to it! Very very powerful tune indeed!
Now a messenger informs Raja Janak about the arrival of Muni Vishwamitra, who is staying in the 'Arma vatika' of Mithila. Raja Janak, Sunayana Devi and Shataanand –all become very happy to recieve the news of the arrival of Vishwamitra. They feel his presence will make the ambience more pious!
We have another good news in this scene- the brother of Janak, Kushadhwaj with his family also come to attend the Swayambar. All the members of both the families become very happy to meet each other. Then Janak decides to go to welcome Sage Vishwamitra personally. We will discuss about that scene in my next post.
Jai Shri Ram!
Prev posts on Ramayan:-
Ramanand Sagar's Ramayan (7)- Ahalya Uddhar and Journry towards Mithila
Ramanand Sagar's Ramayan (6)- Tadka Vadh
Monday, April 25, 2011
Ramanand Sagar's Ramayan(4)- 'Gurukul' Episodes




Aaja Aaja Ri Nindiya (Rajmatas' Lullaby)
http://www.india-forums.com/forum_posts.asp?TID=1261945&TPN=91�
Lalit Kare Nav Bhor Vandana
http://www.india-forums.com/forum_posts.asp?TID=1349127&TPN=9
Damarupaani, Shoolpaani, He Natraajan Namo Namo!
Sunday, March 6, 2011
Songs on the Occasion of Shivaratri
Om namah Shivay, namah Shivay, namah Shivay....
Damaru paani, shool paani, he Natraajan,
Namo namo, namo namo (chorus) namo namo, namo namo (chorus), namo namo, namo namo (chorus)
Shish ang, bhasm ang, karate dhaaran,
Namo namo, namo namo (chorus) namo namo, namo namo (chorus), namo namo, namo namo (chorus)
Damaru paani, shool paani, he Natraajan, namo namo (Chorus)
(1)
Tum aadidev anaadi ho, tum anthin anant ho;
Om namah Shivay (Chorus)
Shrimant ho, bhagawant ho, he naath Girijakant ho;
Om namah Shivay, namah Shivay (Chorus), namah Shivay, namah Shivay (Chorus)
Shashi lalaat, tan viraat, he Trilochan,
Namo namo, namo namo (Chorus), namo namo, namo namo (Chorus), namo namo, namo namo (Chorus)
Damru paani, shool paani, he Natraajan, namo namo.
(2)
Nissaar is sansaar me, Shiv naam keval saar hai;
Om namah Shivay (Chorus)
Shiv Shakti hai, Shiv Bhakti hai, Shiv Mukti ka aadhaar hai;
Om namah Shivay, namah Shivay (Chorus), namah Shivay, namah Shivay (Chorus)
Rom rom, Aum Aum, he agh-naashan,
Namo namo, namo namo (Chorus), namo namo, namo namo (Chorus), namo namo, namo namo (Chorus)
Damru paani, shool paani, he Natraajan,
Namo namo, namo namo (Chorus), namo namo, namo namo (Chorus), namo namo, namo namo (Chorus)
(Then Natraaj Shankar dances with Shri Raam's Veena rhythm.)
Om Namah Shambhavaay ch, Mayobhavaay ch,
Namah Shankaraay ch, Mayaskaraay ch,
Namah Shivaay ch, Shivtaraay ch.
Ek jogi aayo ri tere dwaar,
Dikha de mukh laal ka,
Tere palane me paalanhaar,
Dikha de mukh laal ka,
O maiyaa, dikha de mukh laal ka.
Liye akhiyon me pyaas,
Jogi hai re Haridaas / Jogi tere ari daas(?),
Badi door se aayo leke daras ki aas;
Maai aiso sanjog na taal,
Dikha de mukh laal ka;
Tere bhare rahenge bhandaar,
Dikha de mukh laal ka,
Ari maiyaa, dikha de mukh laal ka.
(The old lady comes and then calls Yashoda outside and then dialog and debate with Yashoda and then Yashoda brings Krishna outside but doesn't allow JOGI touch the baby)
(Shiv through his subtlest form and yogic power touches the lotus feet of baalroop without the knowledge of Yashoda)
Aadhyastam Omkaar, akaar roopam,
Paraatparam satyaparam trisatyam,
Yogishwaro va Jagadishwaro va,
Tvam Krishnaroopam, manasaa smaraami.
(Shiv sings through his gross body of JOGI BABA again)
Mere nainaa bhaye hain nihaal,
Nirakh mukh laal ka;
Pyase nainaa bhaye hain nihaal
Nirakh mukh laal ka,
Ari maiyaa, nirakh mukh laal ka
(Yashoda offering gems before he starts leaving)
Rakh le heere moti tere,
Yeh patthar kis kaam ke mere;
Jogi ho gayaa maalaamaal,
Nirakh mukh laal ka;
Mai to ho gayaa maalaamaal,
Nirakh mukh laal ka;
Ho maiyaa, nirak mukh laal ka.
amarnaath mahadev, mrityunjaye x2
panch'akshari mantra priya, sarva tyaagi
he panchabhuton ke swami viraagi
maalkauns durga paanch swaron wale
madhu-yukt raagon ke raag anuraagi
nataraja din raatri nartan laye x2
sadashiv, mahakaal jyotirmaye
jogi janon ne sada tumko dhyaaya
kahin par kisi ne yugon tak na paaya
kahi aap jal se bhi jal ho gaye
bhavani dayaani ke mann bha gaye
sadashiv, mahakaal jyotirmaye x2