Hanumaan Jayanti Songs Playlist- 2023

Today I am here with a list of songs which you can listen on the pious occasion of Hanumaan Jayanti. 

At first the most famous stuti of Hanumaanji by Tulsidasji- Hanumaan Chalisa

Next comes another great creation by Tulsidasji - Sankat Mochan Hanumaan Ashtak

And the most obvious reading of this pious day is the Sundarkand from Ramcharitmanas by Tulsidasji, where we find Hanumaanji crossing the ocean, meeting Mata Sita and returning to Shri Ram with the message from Mata Sita. 

Now coming to the songs from Ramanand Sagar's 'Ramayan'- 

*Kaandhe par dou veer bitha kar

*Ko nahi janat hai jag me (sung by Jamvant)

*Hanumant bhare udaan

*Aisi raakshasi Singhika

*Ati Laghu roop - Kapati chhali duratma - Virahaagni me jalte hue - Khojat khojat Siya ko

*Surya Chhupo Chanda ugo - Tan durbal - Chaaritya me chudamani

*Ram Kahani

*Vatika me Hanuman

*Mahaveer ne rakh liya

*Navgrah devi devata

*Aasis dinhi Rampriya jana

*Baar baar Prabhu chahai uthaava

*Ka kahu Prabhu kachhu agam nahi

*Nath bhagati ati sukhdaayini

*Jin par kirpa Ram kare

*Shri Hanumaan Mahabali dukh metan sukh den

*Raghuvar ke sab kaaj kapi

*Sanjeevani laavan chale

*Vann parvat saagar nadi karte jaate paar

*Ram jai jai Ram (Kaalnayami song)

*Shraap mukt bhayi apsara

*Le kar apne Prabhu ke naam

*Parvat yun jhagmag kare

*Jhilmil kare parvat saara

*Sanjeevani hai kaunsi kaise ho pehechaan

*Kapi udd kar pohonche wahan

*Sunat vachan uthi baith Kapisa

*Ram katha sankshipt 

*Sanjeevani ke roop me

*Sunu Maatu mai paayo (before agni pariksha)

Songs from the film- Bajrangbali (1976):-

*Jai jai Bajrangbali/Hey Maruti (Titles)

*Hey manwa re (by Shiv Paarvati)

*Kuchh yaad karo apna Pavansut wo baalpan

*Hey manwa re (Setu bandhan)

*Jai jai Bajrangbali/Hey Maruti (In Ramdarbar)

*Tere Prabhu jaante hain baat ghat ghat ki

Now some more devotional songs-

Prabhu Ramchandra ke Dootha - Sung by Sooryagayathri, (Kuldeep M Pai Youtube Channel)

Bharatbhai Kapi se urin ham naahi- Sung by Anup Jalota

Hey Dukhbhanjan Marutinandan sun lo meri pukaar- Sung by Hari Om Sharan

Mangal murati Ram dulaare- Sung by Hari Om Sharan

Yemani Nutinchavacchu- Pedda Hanumaanthudu- Sung by Rahul Vellal

Shri Anjaneya Dandakam- Sung by Sooryagayathri (Strumm Spiritual Youtube channel)

Arati kije Hanumaan Lalla ki- Famous Hanumaanji Aarti

Manojavam Maaruta tulya vegam- Title song of the tv serial 'Jai Hanumaan'

Do listen to all these songs. 

And also you can watch the film Bajrangbali (1976) where Dara Singh acted in the role of Hanumaanji. It is very nice movie showing the greatness of Hanumaanji.

Jai Bajrangbali!

Ramanand Sagar's Ramayan(9)- Ram-Lakshman in Mithila

In the last post we were introduced to the Royal Family of Mithila. Now we are coming back to Shri Ram and Lakshman, who are staying with Sage Vishwamitra in the ‘aamra vatika’ of Mithila. (This scene is not there on many DVD versions of the serial). As Lakshman wants to visit the city, Shri Ram asks Vishwamitra for the permission to do so. Vishwamitra becomes very happy and appreciates Shri ram for His wisdom while expressing wishes. He tells them to go to see the city so that the people of Mithila can also be Blessed by the sight of the Lord! So they go to visit the city and started spreading Joy to all… The public became overwhelmed by looking at them. The ladies looked at them and discussed about the beauty and charm … They wish if Sita could get married to this handsome Prince, then they will be able to see him again in future, when he will come to visit the in-laws. They discuss about the valour of Shri Ram. Really a wonderful scene to experience the beauty of the Lord!! All has been said in the RCM lines which has been used in the background music- 'Dekhan nagar Bhoop suta aaye'. Here is the lyrics:-

http://www.india-forums.com/forum_posts.asp?TID=1349127&TPN=122

We can very easily relate this scene with the scene from Ramanand Sagar’s another great work ‘Shri Krishna’, where Shri Krishna goes out in the neighbourhood for the first time, then also the same reaction from the public can be noticed. Here is the scene:

http://www.youtube.com/watch?v=Pb4hEBiAIxE

And here are the lyrics of that song:-

http://www.india-forums.com/forum_posts.asp?TID=1311014&TPN=83

Now coming back to Ramayan, in the last post we have seen that Raja Janak came to know about Sage Vishwamitra’s arrival in Mithila, so he goes to welcome him personally. They all meet and greet each other. Here is the scene:

http://www.youtube.com/watch?v=M9S2A9HPzQw&feature=related

Then Shri Ram and Lakshman comes there after their visit to the city (Mithila), and Raja Janak becomes ‘visibly moved’ while looking at Him. This is such a wonderful scene! The lines from ‘Ram Charit Manas’ as the backgroung music says it all- ‘Murati Madhur manohar dekhi, bhaye videh videh bisekhi’. As Janak was considered as an ascetic person, still, the first look at the Lord, filled him with the rapture of Bliss. Really a memorable scene!!

In the palace, the friends of Sita tells her about the beauty of Shri Ram, about His visit in Mithila, that day, Sita listens to it with rapt attention.

After that, we have one of the Great scenes of Ramayan here, this one is one of my Top Favorite scene of all!! Where Shri Ram and Lashman serves Muni Vishwamitra by pressing his feet. After that Lakshman dose the same to Shri Ram to serve Him. The song is – ‘Munivar sayan kinhi tab jaayi’. This scene is Soooo Unique in its Content that everytime I feel Emotional while watching it! It is indeed Blissful as well as it teaches us the lesson what the Lord delivers through this action, that is to Respect the Guru, the Brahmin. The Lord of the Universe serving a sage, what a great Humility from the Lord!! I am So much attached to this scene that probably I won’t be able to express it here. The music, the words as well as the way the singer has delivered the song - all combine to make the effect of a Divine experience here. This is indeed one of the highest moments of Ramayan acc to me. It takes the serial to a Great Height! Such a Pious moment experienced by the audience here!

We also have same kind of scene in RSji’s Shri Krishna also, where Krishna comes to the aashram of Gargacharya for the first time, in Mathura, after killing Kans. It also has the same effect on me as the previous one from Ramayan. The lyrics are also very nice in SK.

(Will try to post the link of the video of the scene as well as the lyrics of the sequence in future.)

So here in Ramayan, we have Shri Ram and Lakshman going to take rest for the night. Tomorrow or the day after they will attend the Swayambar of Sita, but before that we have another Wonderful sequence in Pushp Vatika, will write about it in my next post.

Jai Shri Ram!

May be you'll also like these posts:

Ramanand Sagar's Ramayan (8)- Introduction of the Royal House of Mithila

Ramanand Sagar's Ramayan (10)- First Meeting of Siya-Ram at the Pushp Vatika

Ramanand Sagar's Ramayan (8)- Introduction of the Royal House of Mithila

Now we have the first scene in the Royal house of Mithila. We can see Raja Janak along with Rani Sunayna and Kulguru Shataanand performing a Shiv puja. Really a nice way to introduce a ‘Pious’ family. The same was done in the beginning while introducing the royal family of Ayodhya, with a prayer to Kuldevta Suryadev. Truly, Ramayana helps us to ‘connect wth the Divine Lord’ in each of its scenes. It portrays the ‘ideal way to lead our life’.

Here are the videos of this part:-

http://www.youtube.com/watch?v=KAoV8ooX1Z0&feature=related

http://www.youtube.com/watch?v=kP03uNzeeMQ

Coming back to Mithila- while performing the puja, we can see Sita Mata for the first time. Really really a beautiful entry. They talk about the oath of Raja Janak about ‘Shiv-Dhanu bhang’. We find that the task is really a difficult one. Rani Sunayana asks Sita to pray for a virtuous and noble husband, she gets worried about the futue of her daughter. But Shataanand suggests Janak to have Faith in the oath, implying that, the Power which inspired him to take the oath with see to its success. The background music of this scene is soooo Divine!! I always cry while listening to it, the same music has been used in many of the scenes after this and each time I get filled with emotions while listening to it! Very very powerful tune indeed!

Now a messenger informs Raja Janak about the arrival of Muni Vishwamitra, who is staying in the 'Arma vatika' of Mithila. Raja Janak, Sunayana Devi and Shataanand –all become very happy to recieve the news of the arrival of Vishwamitra. They feel his presence will make the ambience more pious!

We have another good news in this scene- the brother of Janak, Kushadhwaj with his family also come to attend the Swayambar. All the members of both the families become very happy to meet each other. Then Janak decides to go to welcome Sage Vishwamitra personally. We will discuss about that scene in my next post.

Jai Shri Ram!

Prev posts on Ramayan:-

Ramanand Sagar's Ramayan (7)- Ahalya Uddhar and Journry towards Mithila

Ramanand Sagar's Ramayan (6)- Tadka Vadh

Next Post on Ramayan:

Ramanand Sagar's Ramayan(9)- Ram-Lakshman in Mithila

Ramanand Sagar's Ramayan (7)- Ahalya Uddhar and Journry towards Mithila

Now we are starting our journey towards Mithila, the sc starts from here:

http://www.youtube.com/watch?v=AnUX68Y9zEQ&feature=related

And continues till:

http://www.youtube.com/watch?v=_gs3AO069eE&feature=related

http://www.youtube.com/watch?v=KAoV8ooX1Z0&feature=related

During their stay in Vishawmitra’s aashram, Shri Ram and Lashman come to know about the envoy from the King of Mithila- Raja Janak. Vishwamitra asks them to accompany him to Mithila and as obedient students, they they follow him.

Here we also have the story of the birth of Sita. That once when there were draught in Mithila, then King Janaka himself started ploughing and found a baby girl in the plough filed, and named her Sita.

Now we have the song- ‘Chale Ram Lakhan muni sanga’, where they visit the Ganges and Vishwamitra tells them about the history of Sagar Raja and Bhagirath. I love the line- ‘Jagpaavani Ganga’ from the song. The music here is so pious!! It just expresses all about the Mahima of Maa Ganga!

Continuing their journey they come to the deserted place which was the ashram of Rishi Gautam once. Now the famous Ahalya uddhar takes place! It is So Powerful that words are not enough to express the impact! The Lord uplifted the lady who was rejected by her husband. It is such a great feeling that you have to go thr’ the emotions to ‘Realise’ it. The lines from RCM (in the original version of the song) as well as the changed words in the new version- both are sooo True!! I cannot quote a single line from that composition, it is beautiful as a whole! But yes, I love the line ‘Pad raj ki mahima bhaari’ and ‘Jo tribhuvan pujita, Lakshmi sevita, un charno me sthaan diya’:- all these expressions are so Beautiful!!

And just before the sc, when Vishwamitra says that only a Lord can uplift the wretched one! I just Love those words!! It proves the ‘Karuna’ of the Lord regarding All the creatures!! Another overwhelming sequence!

After Ahalya uddhar they reach Mithila, from where we’ll start in my next post.

Jai Shri Ram!

Links of Prev posts On Ramayan:

Ramanand Sagar's Ramayan (6)- Tadka Vadh

Ramanand Sagar's Ramayan(5)- Nice Family Moments and The Arrival of Rishi Vishwamitra

Next post:-

Ramanand Sagar's Ramayan (8)- Introduction of the Royal House of Mithila

Ramanand Sagar's Ramayan (6)- Tadka Vadh

Continuing my journey with Ramayan after a gap of two months :).

In my previous post we have seen Rishi Vishwamitra arriving in Ayodhya and asking Dasharath for Shri Ram and Lakshman. Now we have Shri Ram and Lakshman going with Sage Vishwamitra to kill the demons so that the rishis can perform the yagna in the proper way without any hinderance.

During the journey, we have a very nice doha from Ramcharit Manas- ‘Purishsinha dou veer'- it tells us about the Beauty of the Lord! I Love to listen to this composition. Specially the lines- ‘akhil biswa kaaran karan' (The Lord is the ‘reason’ as well as the ‘performer of any action’ in the creation!)... The description the Lord is sooo sweet!

Then Sage Vishwamitra tells them about the Demon Tadka and Shri Ram kills her with the aim of the ‘Welfare of mankind’. After that both the brothers keep guarding the sages while they perform the ‘Yagna’ uninterruptedly. The way Shri Ram and Lakshman protects the ‘yagnasthal’ – I feel so secure to watch that sc! In the same way the Lord protects all of us, all His children, each moment! Only we forget that and become worried about our future, ourselves, our success and all… But actually He is there always and we are safe only because of Him!

After the success of tha Yagna, all become very very happy and Sage Vishwamitra tells them about the researches the sages go thr' for the development of society. Now that can be continued as Shri Ram has watched over the yagna. So Vishwamitra wants to give some more Knowledge to Shri Ram, so that He can use all those for the Welfare of he Creation. Here we have the song- ‘Tab rishi nij naath hi...’ and we have this nice line- ‘Vidya nidhi kahun vidya dinhi’- so Significant!! The Sea of Knowledge taking knowledge from the Sage!!

And the next sc, where He eats ‘kand-mool’ with all the sages and bocomes Happy/ Contented with that! When we consider a Prince doing it, we really Wonder!!

This sc along with the prev song- are expressive of the Greatness of the Lord! The Bliss which he generates among the persons around Him (His devotees) by accepting whatever they have to give- is Such a Novel Gesture!! The effet of all these sc.s are Immense when we FEEL the emotions the characters present in the sc are going thr’.

From next post we’ll start another part of the story, i.e.- the journey to Sita- Swayambar.

Today we started our journey from here:

http://www.youtube.com/watch?v=E7t7U-Q1hoU&feature=related

And here the sc continues after Tadka Vadh:

http://www.youtube.com/watch?v=2fyhtjQrypk&feature=related

Jai Shri Ram!

May be you'll also like these posts on Ramayan:

Ramanand Sagar's Ramayan (7)- Ahalya Uddhar and Journry towards Mithila

Ramanand Sagar's Ramayan(5)- Nice Family Moments and The Arrival of Rishi Vishwamitra

Ramanand Sagar's Ramayan(4)- 'Gurukul' Episodes

‘Bhaja Hare Krishna, Japa Hare Krishna…’- Devotional Song from Hindi Movie ‘Shri Chaitanya Mahaprabhu’

Recently I came across this very nice movie- Shri Chaitanya Mahaprabhu. The music is by Ravindra Jain, all the songs have very good Lyrics and Music. Here is one of them. It is the Best of the Lot! I absolutely loved it when I heard it for the first time. Here is the Youtube Link of the Video:-

http://il.youtube.com/watch?v=aqRAXm1-sek&feature=related

I am posting the Lyrics also:-

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re;

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re;

Jag ke saare naamo me yeh;

Jag ke saare naamo me yehi aaye tere kaam re;

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re;

Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare;

Hare Rama, Hare Rama, Rama Rama, Hare Hare;

Hari Bol;

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re.

Mere nain leke chhavi, Hari ki nihaar le;

Leke mera mann mere, Prabhu ko pukaar le;

Mere nain leke chaabi, Hari ki nihaar le;

Leke mera mann mere, Prabhu ko pukaar le;

Karle keertan, denge darshan;

Karle keertan, denge darshan , Manmohan GhanShyam re;

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re;

Om Chaitanyay namah, Om Chaitanyay namah,

Shri Krishna Chaitanyay namah;

Kab se mai baithi hoon, teri prateeksha me;

Jeevan beetayaa maine kathin pariksha me;

Jeevan beetayaa maine kathin pariksha me;

Om Chaitanyay namah;

Shri Krishna Chaitanyay namah.

Jap tap saadhan aaradhan ka

Jap tap saadhan aaradhan ka, de de shubh parinaam re.

Bhaja Gouranga, Laho Gaurango, Kaho Gaurangero Naam re.

Shri Gouranga ke charno me hai

Shri Gouranga ke charno me hai, mere chaaro dhaam re.

Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare;

Hare Rama, Hare Rama, Rama Rama, Hare Hare.

Barson se mann mera, daras ko tarse;

Kripa nahi barse teri, nain mere barse;

Barson se mann mera, daras ko tarse;

Kripa nahi barse teri, nain mere barse;

Shri charno me baithe baithe;

Shri charno me baithe baithe, subah se ho gayi shaam re.

Bhaja Hare Krishna, japa Hare Krishna, le Shri Hari ka naam re.

Yu hi beet na jaaye Prabhu milan ki bela;

Hari Bol Hari Bol, Hari Bol, Hari Bol;

Dhal na jaaye sham, ujad na jaaye mela;

Hari Bol Hari Bol, Hari Bol, Hari Bol;

Parvat raasta roke to thokar se uda de;

Saagar baadhaa daale to saanso se sukha de;

Reh na jaaye kahin milan ki aas adhuri;

Aaj mita do Bhakt aur Bhagwan ki doori;

Hari Bol, Hari Bol, Hari Bol, Hari Bol, Hari Bol, Hari Bol

Hari Bol, Hari Bol, Hari Bol, Hari Bol.

Bhaja Gouranga, Laho Gaurango, Kaho Gaurangero Naam re.

Jag ke saare naamo me yeh;

Jag ke saare naamo me yehi, aaye tere kaam re;

Bhaja Gouranga…

Gourango, re Krishna, Gourango….

In today’s post, I have also included a picture of Saheb Chatterjee, (who played the role of Shri Chaitanya), from the song.

Jai Shri Krishna!

You may also like these posts:

Ramanand Sagar's Ramayan: The Beginning

'Man Mohana': Hindi Song from the movie- 'Jodha Akbar'

'Itna to Karna Swami': Hindi Bhajan by Anup Jalota

'Agni Praiksha' Song frrom Ramanand Sagar's 'Ramayan'

Features of the Lord: His Yellow Dress

Navadha Bhakti